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It’s very similar to the triangle wave produced by Arturia’s Minimoog. Up to this point, Arturia. Arturia Brass VSTi RTAS v2.0.5 Incl Keygen. Arturia Minimoog-V Original v2.5.3 MAC OSX R2R Keygen| 112.3 MB expanded/subtitle Minimoog by name. Minimoog by nature. It’s been several successful years since.
The Minimoog V is everything the original could have been and more, at a fraction of the price! The Minimoog V looks like the original, and yes, it sounds like it too - minus the noise, instability and other problems associated with analog circuitry. Some may say that is the very character desired in analog synthesizers, but you just can't knock a totally pristine and clean Moog sound that's equally as fat as the original all the way up to 96kHz and 24-bit digital quality in STEREO! The Minimoog V is a software instrument for Mac and PC compatible with all standard formats (VST, DXi, Audio Units, MAS, RTAS, HTDM, and more).
Upon first impression, the Minimoog V is big! It takes up a lot of screen space, but since it is an almost exact replica of the Minimoog, you'll appreciate the size once you start twisting knobs and editing sounds. The original Minimoog was a monophonic synth with three oscillators. This version also has three oscillators but is polyphonic!
You can choose from 1 through 8 and 16 or 32 voices of polyphony for each sound patch. That alone takes the famous Minimoog sound into territories the original never could go! And speaking of sound patches, the original had no memory, but there's virtually unlimited patch memory here, and the Minimoog V ships with over 400 programmed patches, many by famous artists! Patches include: Basses, Arpeggios, EFX, Keyboards, Leads, Pads, Percussion, Horns, Synths, and Template patches. The Templates are a great starting point for creating your own Leads, Pads, Basses, etc. The front panel controls replicate the look and layout (and underlying synth architecture) of the original.
There are three oscillators, each with selectable Triangular, Sawtooth, Square, Saw/Triangular, Wide Rectangular and Narrow Rectangular waveforms. Oscillator 1 has an Osc Sync switch, while Oscillators 2 and 3 have fine tune knobs. The Mixer section has On/Off switches and Level knobs for each of the three oscillators as well as the Noise Generator (white or pink) and External Stereo Audio Input. Next stop for after the Mixer section is the famous Moog 24dB/oct lowpass filter, replicated here by Arturia to perfection! The same 6 knobs as the original: Cutoff, Emphasis (resonance), Amount, Attack time, Decay time, and Sustain time. The VCA section has the same Attack, Decay, Sustain control knobs as the original too. And like the original, that's about it for front-panel controls and functions, aside from a few other tuning and volume controls, including the built-in A-440 tone generator for 'tuning up' the Mini.
But the Minimoog V goes well beyond the capabilities of the original with more than just stereo and polyphonic capabilities and program memory. One of the cool features of the original Mini was that the front panel could be lifted up to be more perpendicular to the keyboard for easier use while playing and editing.
Clicking on the Minimoog V's panel will cause it to lift up a bit too, revealing a whole new world of features the Minimoog never had, but should have: an LFO, Arpeggiator, Chorus and Delay effects, and a Modulation Matrix! The LFO offers sine, saw up, saw down, square, noise, random, sample-and-hold modes with rate control and MIDI sync switch. The Arpeggiator has Up, Down, Random, Backwards, and Notes Played patterns adjustable over 1 to 5 octaves and 1 to 5 repeats as well as Chord Memory, adjustable Speed and MIDI sync. The Chorus offers three types with Rate, Depth and Wet/Dry controls.
The Delay has independent left/right controls for both Decay Time and Feedback Amounts with MIDI sync for surprisingly animated delay effects within the stereo field. The Modulation Matrix is simple and powerful: it lets you assign 6 sources to 6 destinations, ie: assign the LFO to the VCF cutoff, or assign the Pitch Wheel to control the pitch of just Oscillator 1. Finally, although most users will play the Minimoog V using a MIDI keyboard/controller, the virtual built-in keyboard replicates the original's 44-note keyboard with Pitch Wheel, Mod wheel, Glide, Legato, and Pitch Bend range controls. It adds stereo Send outputs too. At just $249, the cost of the Minimoog V is much cheaper than an original almost 30 year old Minimoog as well as the newer.
On top of that, the features offered in the Minimoog V don't just replicate the original, but go way beyond it! It's hard to imagine how we used the old Minimoog when you see, and hear what Arturia has done with it! Related Forum Topics.
Technology Meets History From the starship funk lead lines of the ‘70s to the gangster whine of mid ‘90s hip-hop, the ever-present MiniMg has been making its fat presence known for over 4 decades. In partnership with Bob Moog we recreated the legendary interface of his early 70's synth that was and is loved by generations of musicians.
What truly makes this synth the Legend of Legends is its sound, and so we took great care to model the subtleties of its internal characteristics as well. A Good Thing Made Better Mini V has kept all of the original characteristics of its award-winning previous versions. Mini V version 3 updates the filter design to make it even more accurate than ever. Powerful and rich bass, faithfully reproduced ‘free-running’ waveforms thanks to new advances in our long proven TAE® technology. A Class of its Own When fat, deep blistering bass is needed, there is no further need to go anywhere but to Mini V. Also famous for its powerful lead sounds, the greatest hit makers in the '70's knew that this synth was the goto tool. A Sonic Expansion But we’re not resting on our laurels.
While the original product set the sound of the 70's we have taken it to new realms. We have added an advanced modulator that allows you to draw a shape and control many parameters creating a movement and interest. A vocal filter expands sonic possibilities with a formant-analysis based effect: now you can make that synth talk! A modulation matrix has been added dramatically improving on the original design and doing away with its limitations.
6000 keyboard sounds, 170 drum kits, 13 software instruments considered landmarks in the music industry, the V Collection is the solution professional musicians turn to when quality and time are at stake. The synthesizers, organ, electric piano and string machines included here represent the best of the best in vintage instruments. You get not only accurate recreations of the original audio character of these legends, but you also get the familiar user interfaces that made, and makes, them the studio and stage leaders for so many years. Analog Lab Mini V Modular V CS-80 V ARP2600 V Jupiter 8-V Wurlitzer-V Prophet V & VS Oberheim SEM V Matrix-12 V Solina V VOX Cont.